Image: Amanda Ross-Ho, installation view of Usual Objects. (l) Untitled Timepiece (ORAL ARGUMENTS/OVERLAPPING JURISTICTIONS), 2019-2021. Gesso, silkscreen, acrylic, ink, ball point pen, graphite, oil pastel, coffee, tea, paper, artist's tape, painter's tape, laser prints, stretch sequin fabric on canvas covered panel, 52 x 52 x 1.5 inches. (r) Untitled Seizure (ENCORE/DARK MATTER), 2021. Unfinished Black Glove (small), empty thread spool (UNTIRLED PERIOD PIECE), Extra Thong (ONCE YOU GO BLACK), facemasks, Giant Scrunchie (MY PEN IS HUGE), Cut and bundled pant legs (Untitled Production Line (Modern Times), black mouse, BLACK GLOVE FINGERTIP, Mouse (Yin), BINARY (Rubber Band), BINARY (Bobby Pin (3)), 10, Untitled Metrics (TENS), cut and bundled pants parts (Untitled Production Line (Modern Times),Nike Air Force Ones (UNTITLED PERIOD PIECE), Bundled and pinned canvas (Untitled Production Line (Modern Times), Black Earring (Untitled Peripheral Swatch (FOOTPRINTS AND FREE RADICALS)), pinned canvas (Untitled Production Line (Modern Times), Dead Brushes (Periphery Composition with Basket of Dead Brushes), satin scrunchie, Delta eyemask, canvas spaghetti (Untitled Production Line (Modern Times), vintage clock numbers, pinned canvas pucks (Untitled Production Line (Modern Times), Buttons Large (Untitled Production Line (Modern Times), Black Nitrile Glove, Rolled canvas (Untitled Production Line (Modern Times), Black 3D Printed Plastic silverfish (Untitled Production Line (Modern Times), Clock hands (Untitled Production Line (Modern Times), Buttons Small (Untitled Production Line (Modern Times), 77 x 67 x 5 inches. Image courtesy of the artist and Carrie Secrist Gallery.
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