HOLLIS FRAMPTON_He created in Poetic Justice (1972) the film which is, in fact, wholly and radically textual, its screen filled with the successive shots-one to each page-of a film's handwritten script. To read the text requires the integral repositioning of the spectator, whose projection of the imaginary film, the narrative of an apparently triangular series of erotic transactions within a house and garden, is conveyed by descriptions of still photographs.
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