Self-portraits 1659, 1661, 1669, 1669, 1665-1669. Exhibited in this chronological order.  When viewed all in line, what becomes obvious is the recurring set of colour motifs: White, yellow (gold), red, black. Probably strongly influenced by the limited palette available at the time. They are all lit from the left, sitter facing right, except the first one in the series.
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