Alain Delon and Monica Vitti are actually fitting into their environment, but are their emotions? L'Eclisse Michelangelo Antonioni, 1962 Cinematography | Gianni Di Venanzo
{"Image Orientation": "Horizontal (normal)", "Image XResolution": "72", "Image YResolution": "72", "Image Software": "Google", "Image ExifOffset": "98", "EXIF ExifVersion": "0220", "EXIF ColorSpace": "sRGB", "EXIF ExifImageWidth": "777", "EXIF ExifImageLength": "430"}